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"Let me be strong for you." When Angela belittles her ex-football-playing husband in ultra-shrewish fashion, painting him as a good-for-nothing kept man who's in it for her money, Marcus finally stands up for himself, telling Angela he's with her because he loves her—no other reason. Later she makes dinner for him—a rare treat—and they pledge to stay committed to one another.

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"When you get married, you give up the 'I's' for 'us,'" he tells her. Even Sheila, whose marriage doesn't survive so happily, gets a happy ending—by learning to respect herself.

"I spent too much time letting people take care of me," she says.

On the way to the retreat she prays, "I'm going up this mountain to save my marriage. Jesus, make it all right." When her husband tells her that they're through, the local hunky sheriff leads her to a mountain overlook.

"I pray [here], I scream, I yell, do whatever I need to," he tells her.

Angela doesn't believe her husband, Marcus, can be faithful now that he's a celebrity television newscaster.

Dianne and Terry's relationship is feeling the strain of raising children.

It's not a cynical exercise in eye-rolling regret, either. The couples (most of them at least) hope to dig up the old feelings and the old reasons for falling in love and getting married in the first place, and use them to renew current relationship conditions.

The characters are creative: Despite the fact that Perry uses stereotyping and overstatement to make some of his points, the people he creates feel like people.

I gotta find my own way."Tyler Perry's films typically showcase on-the-ground spirituality, and this one is no exception.

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